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Solo Exhibitions

• Upcoming:
• “Schools for the Colored,” SFO Museum, San Francisco, CA. Nov 2024

• Previous:
• Rowan University Art Gallery and Museum, Glassboro, NJ Sept 9–Oct 26, 2024
• Peabody Museum, Harvard University, Cambridge, MA. May 18, 2024–April 2025
• List Gallery and McCabe Library, Swarthmore College, Swarthmore, PA. Mar 6 – Apr 7, 2024
• First Unitarian Universalist Church of Houston, Houston, TX, March 9–April 21, 2024
• Oakland University Art Gallery, Rochester, MI. Sept 8 – Nov 26, 2023
• “Schools for the Colored” The Alice Wilds Gallery, Milwaukee, WI. Aug 27 – Oct 8, 2022
• “Wendel White: History in Black and White” Gallatin Galleries, New York University, NY. Sept-Oct 2021
• Blue Sky Gallery, Oregon Center for the Photographic Arts, Portland, OR. Feb—Mar 2021
• “Red Summer” National Center for Civil and Human Rights. Atlanta, GA. Jul—Aug 2019
• Pingyao International Photography Festival. “Schools for the Colored” Pingyao, China. Sept 19-25, 2018
• Texas State University, Sabinal Photography Building Gallery, Aug. 27–Dec 6, 2018
• Colorado Photographic Arts Center, Denver. “Segregated Influences: Wendel White & Tya Alisa Anthony” Apr-Jun 2018
• Blue Star Contemporary, San Antonio, TX Feb–May 2018
• Rubenstein Photography Gallery, Duke University, Durham, NC Feb–June 2018
• Center for Documentary Studies, Duke University, Durham, NC Feb–June 2018
• Paul Robeson Center for the Arts, Arts Council of Princeton, Princeton, NJ Oct–Nov 2017
• Perspectives Gallery, Milwaukee Institute of Art and Design, Milwaukee, WI Nov–Dec 2017
• Heuser Art Gallery, Bradley University, Peoria, IL Aug–Oct 2017
• Mercer County College, JKC Gallery, Trenton, NJ. April–May 2017
• Lycoming College Art Gallery, Williamsport, PA. Feb–April 2017
• Photo-eye Bookstore, Santa Fe, NM Oct–Nov 2016
• The Lipani Gallery, Fordham University, New York, NY, May-Sept 2016
• New Jersey State Museum, Trenton, NJ–Jan – May 2015
• Bemis Center for Contemporary Art, Omaha, NE. Nov. 2013–Jan 2014
• Aljira Gallery, Newark, NJ. 2013
• Drumthwacket Foundation, Official Residence of the Governor of New Jersey, Princeton, NJ 2013
• Eatonville Embodied: John Pinderhughes and Wendel White, Zora Neale Hurston National Museum of Fine Art, Eatonville, FL 2012
• Mid-Atlantic Center for the Arts and Humanities, Cape May, NJ 2012
• Bernstein Gallery, Princeton University, NJ, 2011
• California Institute for Integrative Study, San Francisco, CA 2011
• New Jersey Historical Society, Newark, NJ, 2009
• Mid-Atlantic Center for the Arts, Cape May, NJ 2007
• Stockton College, Pomona, NJ 2006
• Newark Public Library, Newark, NJ, 2006
• Seton Hall University, South Orange, NJ, 2005
• Atwater Kent Museum, Philadelphia, PA. 2005
• The Morris Museum, Morristown, NJ 2003
• Johnson and Johnson, New Brunswick, NJ 2003
• Noyes Museum of Art, Oceanville, NJ. 2003
• Stedman Gallery, Rutgers-Camden Center for the Arts, Camden, NJ. 2002
• Atlantic City Arts Center, Atlantic City, NJ, 2002
• Manchester Craftsman Guild, Pittsburgh, PA 2001
• Hopkins House Gallery, Haddon, NJ, 2001 Monmouth University, NJ, 2000
• The Photography Gallery, Florida International University, Miami, FL 1988
• Johnson and Johnson, New Brunswick, NJ, 1987 to 1989
• Gallery Polynero II, Belgium, 1986
• Rose Gallery, St. Edwards University, Austin, TX 1986
• Midtown Y Gallery, New York, NY 1984

Group Exhibitions (selected)

• Free As They Want To Be: Artists Committed to Memory, Clark Atlanta University Art Museum, Atlanta, GA, 2024
• After Archives, Alexis Callender, Sarah Stefana Smith, Wendel White. curated by Amy S. Halliday. A.P.E. Gallery, Northampton, MA. Mar 3 – 30, 2023
• Of the Body. Northlight Gallery, Arizona State University, Phoenix, AZ. Jan 20-Feb 18, 2023
• Free as they want to be: Artists Committed to Memory. Curated by Deborah Willis and Cheryl Finley, National Underground Railroad Freedom Center, Cincinnati, OH. Sept 30 to Mar 5, 2023 (Fotofocus Biennial)
• I Hear America Singing: Contemporary Photography From America. Pizzuti Collection, Columbus Art Museum. Columbus, OH. (Artists: Matthew Brandt, Mercedes Dorame, Lucas Foglia, Wen-Hang Lin, Michael Lundgren, Alex Maclean, Griselda San Martin, Pamela Pecchio, David Benjamin Sherry, Xaviera Simmons, For Freedoms, Greg Stimac, Millee Tibbs, Wendel White, William Wilson). Jun 17, 2022 – Jan 22, 2023
• Posing Beauty. Curated by Deborah Willis. New Jersey State Museum, Trenton, NJ. Jan 29 – May 22, 2022
• Pained Vistas. Photographic Center Northwest, Seattle, WA. Jan 13 – Mar 17, 2022
• I Hear America Singing: Contemporary Photography from America. Curated by Ashley Lumb. Jordan National Gallery of Fine Arts – Amman, Jordan. Oct 20–Nov 25, 2021
• Visions 1020, Curated by Beauford Smith. Wilmer Jennings Gallery, New York, NY. Mar 8—Jun 27, 2020
• Posing Beauty. Curated by Deborah Willis. Delaware Art Museum, Wilmington, DE. Oct 19, 2019—Jan 26, 2020
• The Red Summer Remembered, Curated by Arlene Keizer, Casey Ruble, and Wendel White. Pratt Institute Library, Brooklyn, NY. Aug—Sept 2019
• Closets: Reimagining Identities while Embracing Memories, Curated by Deborah Willis. New York University, Department of Photography and Imaging. Oct 2019—Dec 2019
• Red Summer. The FENCE, United Photo Industries, outdoor installation, SOWA Boston, MA. Mar 26—Nov 3, 2019
• Red Summer. The FENCE, United Photo Industries, outdoor installation, Memorial Park, Houston, TX. Apr 27—Dec 15, 2019
• Red Summer. The FENCE, United Photo Industries, outdoor installation, Cherry Creek Park, Denver, CO. Aug 24—Oct 16, 2019
• Posing Beauty. Curated by Deborah Willis. David C. Driskell Center, University of Maryland, Baltimore, MD. Feb 16 – Apr 27, 2019.
• From Durer to Digital: The Metamorphosis of the Printed Image. Curated by Judith K. Brodsky. The Trenton City Museum at Ellarslie. Mar 8 – Apr 28, 2019.
• Seeing the Unseen. Curated by Greg Leshe. Morris Arts Gallery 14, Morristown, NJ. March 14 – Aug 21, 2019.
• Cit.i.zen.ship: Reflections on Rights, New York University, Department of Photography and Imaging, Oct. 4, 2018 – Jan 18, 2019
• The FENCE 2018, United Photo Industries, Brooklyn, NY (with traveling sites in Durham, NC; Denver, CO; Santa Fe, NM; Boston, MA; Sarasota, FL; Calgary, Canada; and Atlanta, GA) 2018
• Posing Beauty, Mona Bismarck American Center, Paris France Spring 2018
• Schools for the Colored, Thematic Exhibition, Lianzhou Foto Festival, Lianzhou China. Dec 2, 2017 – Jan 2, 2018
• Posing Beauty, Mobile Museum of Art, Mobile, AL Oct 2017-Jan 2018
• Reconstructed History, (Annie Hogan, Casey Ruble, Leslie Sheryl, Ann LePore, and Wendel White). Taplin Gallery, Arts Council of Princeton, NJ Oct 14 – Nov 25, 2017
• Lightfield, Hudson Opera House, Hudson, NY. Aug 20 – Sept 25, 2016
• NJ State Council on the Arts Fellowship Exhibition, DiMattio Gallery, Monmouth University, W, Long Branch, NJ Jan 19 – Mar 11, 2016
• Forget Me Not: Photography Between Poetry and Politics, Mechanical Hall Gallery, University Museums, University of Delaware, Newark, DE Feb – May 2015
• Observing Connections: Photographs from the Teaching Collection and Invited Photographers, CVA Gallery, Brookdale Community College, Lincroft, NJ Oct-Dec 2014
• Landscape: Social, Political, Traditional, Rider University Art Gallery, Lawrenceville, NJ Sept-Oct 2014
• Posing Beauty, Virginia Museum of Fine Art, Richmond, VA May-Aug 2014
• On Photography: Culture, History, and the Narrative. Mason Gross Galleries, Rutgers University, New Brunswick, NJ Sept. 2013
• En Foco/In Focus: Selected Works from the Permanent Collection, The Arts at CIIS, San Francisco, CA. 2013
• The Fogel Collection: A Collection Within a Collection, Marshall Fine Arts Center Atrium Gallery, Haverford College, Haverford, PA May 31 through October 6, 2013
• Posing Beauty, College of Wooster Art Museum, Wooster OH Jan-March 2013
• En Foco: New Works/Crossing Boundaries, BRIC Arts, Rotunda Gallery, Brooklyn, NY 2013
• Visualizing Emancipation, Schomburg Center for Research in Black Culture, NYPL, New York, NY Oct 2012 – March 2013
• Posing Beauty, Figge Museum of Art, Davenport, Iowa, Sept-Nov 2012
• En Foco/In Focus: Selected Works from the Permanent Collection, Aljira Gallery, Newark, NJ 2012
• New Jersey State Council on the Arts Fellowship Exhibition, Noyes Museum of Art, Oceanville, NJ 2012
• Posing Beauty, Everhart Museum, Scranton, PA Feb – April 2012
• En Foco/In Focus: Selected Works from the Permanent Collection, Art Museum of the Americas, Washington, DC 2012
• Posing Beauty, USC Fisher Museum of Art, Los Angeles, CA 2011
• Posing Beauty Newark Museum, Newark, NJ 2011
• En Foco/In Focus: Selected Works from the Permanent Collection, Lightwork, Syracuse, NY 2011
• New Works #13 Fellowships. Curated by Marisol Diaz. HP Gallery, Calumet Photographic, New York, NY, 2010
• Art Chicago 2010. Dean Jensen Gallery (Milwaukee, WI). Chicago, IL. 2010
• Endurance at Hopkins House Gallery of Contemporary Art, New Jersey, 2010
• Dean Jensen Gallery, Milwaukee, WI, 2009-2010
• Posing Beauty, New York University Tisch School of the Arts, New York, NY 2009
• Arbor Michael Mazzeo Gallery (curated online exhibition), New York, NY 2009
• “Green? Contemporary Landscape” Stedman Art Gallery, Rutgers-Camden University, Camden, NJ 2009
• “6th Photographic Image Biennial Exhibition”, Wellington B. Gray Gallery, East Carolina University, NC 2009
• “Prospect: Art that Renegotiates Standardized Locations in Our Environment”, CRL Gallery, Austin, TX 2008
• Online and Print Portfolio, Center for Fine Art Photograph, Colorado, 2008
• “Saturday Night, Sunday Morning” Delta Blues Museum, Clarksdale, MS 2007
• “Saturday Night, Sunday Morning” 40 Acres Gallery, Sacramento, CA 2006
• “Saturday Night, Sunday Morning” City Gallery East, Atlanta, GA 2005
• “Saturday Night, Sunday Morning” African American Museum of Philadelphia, PA 2005
• “Looking South” 70NW Gallery, Milford PA. June 2004
• “Love Now” Nordstrom Department Stores (15 stores nationwide). February 2004
• “20 Years of Graduate Photography” Creative Research Laboratory, the University of Texas at Austin.
  March 2003
• Take Five: The American Landscape (James Abbott, Rita Bernstein, David Graham, Jerry Lodriguss, Wendel White) Center for the Photographic Image at Nexus Foundation for Today’s Art, Philadelphia, PA, November 2001
• “Reflections in Black” Smithsonian Institution Arts and Industries, Washington DC 2000
• Center for the Arts (three-artists), Marlton, NJ 2000
• Millennium Salon Exhibition, Mary Gearhart Gallery, New York, NY 1999 – 2000
• “Distinguished Artists of Southern New Jersey” Long Beach Island Art Foundation, NJ 1999
• Salon Exhibition, Mary Gearhart Gallery, New York, NY 1999
• Camden County Cultural and Heritage Center, Haddon Twp., NJ 1999
• Atlantic City Art Center, Atlantic City, NJ 1998
• Afro-American Museum, Philadelphia, PA 1996 -1997
• City Museum, Trenton, NJ 1996
• “Southern New Jersey Artist’s IX” Stedman Art Gallery, Rutgers University, Camden, NJ 1995
• “Convergence: 8 Photographers,” Clarkson Gallery Potsdam, NY 1995; the University of Colorado, Colorado Springs, CO 1995; Tampa Museum of Art, Tampa, FL 1994; Olin Gallery Kenyon College, Gambier, OH 1993; Georgia Museum of Art, Atlanta GA, 1993; Penn. School of Art and Design, Lancaster PA, 1992; University of Albany, NY, 1992; Hammonds House Gallery, Atlanta GA, 1992; the University of California at Irvine, 1992; Houston Center for Photography, 1991; Film in the Cities, St. Paul, 1991; Visual Studies Workshop, Rochester NY, 1991; Photographic Resource Center at Boston Univ., 1990.
• “1993 NJ Arts Council Fellowships” Stedman Art Gallery, Rutgers University, Camden, NJ 1993
• “Hands Off,” New School for Social Research, New York, 1991
• “Park and Ride,” Raritan Valley Community College, North Branch, NJ 1991
• “Stated as Fact: Photographic Documents of New Jersey” New Jersey State Museum,
  Trenton, New Jersey, 1989
• “New Expressions” Noyes Museum, New Jersey, 1989
• US. Biennial, Museum of Art, Oklahoma University, 1988
• Infinity Gallery, Governors State University, Illinois, 1988
• New Jersey State College Board, New Jersey, 1988
• “Contemporary Black Art,” Kennesaw College, Georgia, 1987
• Ben Shahn Galleries, William Paterson College, New Jersey, 1987
• The Light Factory, Charlotte, NC, 1986
• “24 Exposures,” Union Square Gallery, New York, 1986
• Atlanta Life Insurance Co., Atlanta, Georgia, 1985
• “1984: Social Commentary and the Photograph,” Moody Atrium Gallery, Austin, Texas, 1984
• “Mental Block,” Danceteria, New York, 1984
• Atlanta Life Insurance Co., Atlanta, Georgia, 1984
• “14 Photographers,” Schomburg Center for Black Culture, New York, 1983
• The Light Factory, Charlotte, NC, 1983
• “Photoworks II,” A.U.A., New Mexico, 1983
• Patrick Gallery, Austin, Texas, 1982
• Gallery 104, Austin, Texas, 1982

Awards, Grants, Fellowships, and Residencies

• Doctor of Arts (honorary), Oakland University, Rochester, MI, Dec 2023.
• Insight Award, Society for Photographic Education, March 2022
• Robert Gardner Fellow in Photography, Peabody Museum of Archeology & Ethnography, Harvard University, Cambridge MA 2021
• Peter Kenner ’66, Resident in Photography, Bard College, Annandale-on-Hudson, New York. 2021
• Revolution NJ: Artistic Research Residency (Salem, NJ), Monuments Lab, Philadelphia, PA Summer 2020
• Bunn Lectureship in Photography, Bradley University, Peoria IL. Oct 13, 2017
• Anne Reeves Artist-In-Residence, Arts Council of Princeton, Princeton, NJ. Fall 2017
• Project Launch Grant (Juror’s Choice – Alison Nordstrom), Center, Santa Fe, NM 2016
• Artist Fellowship from the New Jersey State Council on the Arts, 2015
• Artist-in-Residence, Bemis Center for Contemporary Art, NE, 2011
• New Works Fellowship, En Foco, NY, 2010
• Artist Fellowship from the New Jersey State Council on the Arts, 2009
• Grant, Graham Foundation for Advanced Studies in the Fine Arts, Chicago, IL, 2005
• Walt Whitman Preservation Award for Community Partnership, Heritage Collaborative, Camden, NJ. May 3, 2005
• Fellowship, John Simon Guggenheim Memorial Foundation. NY, 2003
• Artist Fellowship from the New Jersey State Council on the Arts, 1993

Web Projects

• Small Towns, Black Lives; African American communities in Southern New Jersey. https://blacktowns.org

Public Collections

• Northlight Gallery, Arizona State University, Phoenix, AZ
• National Gallery of Art, Washington, DC
• Mint Museum, Charlotte, NC
• Colorado Photographic Arts Center, Denver CO
• Archive of Documentary Art, Duke University’s David M. Rubenstein Rare Book and Manuscript Library, Durham, NC
• New Jersey State Museum, Trenton, NJ
• University Museums, University of Delaware, Newark, DE
• Graham Foundation for the Advancement of Fine Arts, Chicago, IL
• Bemis Center for Contemporary Art, Omaha, NE
• Salem County Department of Tourism, Salem NJ
• The Arts at CIIS, San Francisco, CA
• En Foco Inc, Bronx, New York
• Stockton University, Galloway, NJ
• Rochester Institute of Technology, Rochester, NY
• The Museum of Fine Art, Houston, Texas
• Museum of Contemporary Photography, Chicago, Illinois
• Haverford College, Haverford, Pennsylvania
• Johnson and Johnson, New Jersey
• Haggerty Museum of Art, Marquette University, Wisconsin
• The Paul R. Jones Collection of African American Art, University of Delaware
• The Paul R. Jones Collection of African American Art, University of Alabama
• George Washington Carver Museum, Austin, Texas
• Erie Art Museum, Erie, PA
• The Chase Manhattan Bank NA, New York, NY
• Schomburg Center for Research in Black Culture, NYPL, New York, NY
• Austin History Center, Austin, Texas

Public Lectures (selected)

• White, Wendel, Artist Talk and Book Launch, Manifest: Thirteen Colonies. The Print Center, Philadelphia, PA. Oct 9, 2024.
• White, Wendel, Artist Lecture, “Folding Time” exhibition, Rowan University Art Gallery and Museum, Glassboro, NJ Oct 5, 2024
• Casey Ruble and Wendel White. Manifest: Thirteen Colonies book discussion. Leica Gallery, New York, NY. Sept 28, 2024
• Cheryl Finley, Leigh Raiford, Brenda Tindal, Deborah Willis, and Wendel White. Panel Discussion for the book launch of Manifest: Thirteen Colonies. Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, MA. Sept 26, 2024
• White, Wendel. Gallery Talk, “Folding Time” exhibition. Rowan University Art Gallery and Museum. Glassboro, NJ Sept 12, 2024
• Wendel White and William E. Williams, Public Conversation, Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, MA, May 16, 2024
• White, Wendel. Artist lecture. “Red Summer: Landscape and Archive in African American Historical Memory.” Glassell School of Art, Houston, TX. Mar 28, 2024
• White, Wendel. Heilman Visiting Artist lecture. Swarthmore College, Swarthmore, PA. Mar 21, 2024
• Kenya Tyson and Wendel White, Oakland University Art Gallery, Rochester, MI, Sept 7, 2023.
• Kenneth Montague, Samantha Nöel, and Wendel White, panel discussion, Oakland University Art Gallery, Rochester, MI, Oct 12, 2023
• White, Wendel. Making History Manifest: Photography in the Archives and conversation with Ousmane Power-Greene. Historic Northampton, Northampton, MA. (zoom) March 12, 2023
• White, Wendel. Artist lecture and conversation with Linda Shockley. Newark Public Library, Newark, NJ. Feb 23, 2023
• White, Wendel. Artist Lecture. Northlight Gallery, Arizona State University, Phoenix, AZ. Feb 17, 2023
• White, Wendel. Artist Lecture (via Zoom) Monroe Township Library, Monroe Township, NJ. Feb 10, 2023
• White, Wendel. Artist Lecture Series. Photographic Resource Center, Boston, MA. Feb 7, 2023
• White, Wendel. Artist lecture. Distinguished Artist’s Talk, The College of New Jersey. Oct 4, 2022
• Cheryl Finley, Deborah Willis, Adama Delphine, Daesha Devon Harris, Wendel White. Panel presentation “Free as they want to be: Artists Committed to Memory” National Underground Railroad Freedom Center. Cincinnati, OH Oct 2, 2022
• Third Thursday: Monthly Photo Presentations, Arron Turner and Wendel White. JKC Gallery, Mercer County Community College. Trenton, NJ. May 19, 2022.
• Donald E. Camp, Ron Tarver, Wendel A. White, William E. Williams, moderated by Stephen Perloff. “Berman Conversation with Guggenheim Fellows” Berman Museum of Art, Ursinus College. Mar 18, 2022.
• White, Wendel. “Manifest: Thirteen Colonies” Robert Gardner Lecture, Peabody Museum, Harvard University. In conversation with Brenda Tindal. April 7, 2022. Zoom event.
• White, Wendel. 2021 Peter Kenner ’66 Resident in Photography, Bard College, Annandale-on-the-Hudson, NY. Dec 13, 2021
• White, Wendel. Artist Lecture. i3 Lecture Series, School of Visual Arts, New York, NY. Nov 9, 2021 (Zoom)
• White, Wendel. Artist Lecture. “Red Summer” Black Massacres Seminar, New School, New, NY. Oct 25, 2021 (Zoom)
• White, Wendel. Artist Lecture. “African American History in the American Landscape & Archives” Harrison Historical Society, Mullica Hill, NJ. Oct 17, 2021
• White, Wendel and Keith Miller. Conversation with artist and curator, “Wendel White: History in Black and White” Gallatin Galleries, New York University, NY. Zoom event, Sept 21, 2021.
• White, Wendel. Visiting Artist and Artist Lecture, MFA Photography Program, Parsons/New School, New York, NY. July 2021
• White, Wendel. Artist Lecture, Newburgh Community Photography Project, Newburgh, NY. July 2021
• Wendel White. “Manifest” Artist lecture. Blue Sky Gallery, Portland OR. March 2021 (Zoom)
• Casey Ruble and Wendel White. “The Question that the Answer Hides” artist conversation for exhibition. Stockton University, Galloway, NJ. Feb 2021 (Zoom)
• Glynnis Reed and Wendel White. “Wheaton Conversations: Artists Wendel White and Glynnis Reed” Wheaton Arts, Millville, NJ. Sept 24, 2020
• Arlene Keizer and Wendel White. “Red Summer: Racial Violence in the American Landscape, 1917 – 1923” Stockton University, School of Arts and Humanities. Oct 22, 2020
• Arlene Keizer, Casey Ruble, and Wendel White. “Red Summer Remembered.” Presented at Pratt Institute Library, Brooklyn, NY Oct 3, 2019
• Arlene Keizer, Casey Ruble, and Wendel White. “The Red Summer of 1919 in Art and Literature” Presented at the International Symposium of the Modern Language Association. Lisbon, Portugal. Jul 25, 2019
• Cameron McWhirter and Wendel White. “Racial Conflict in the American Landscape: 1917 to 1923” Presented as a conversation with the artist. The National Center for Civil and Human Rights. Atlanta, GA. July 31, 2019
• Arlene Keizer, Casey Ruble, and Wendel White. “Red Summer Remembered” Presented at the 2019 Fall Forum: Frameworks for Equity and Inclusion. Pratt Institute, Brooklyn, NY. Sept 20, 2019.
• White, Wendel. “Red Summer” image-maker presentation at the national conference of the Society for Photographic Education, Cleveland, OH, March 8, 2019
• White, Wendel. Gallery Lecture, “Schools for the Colored” Colorado Photographic Art Center. Apr 20, 2018
• White, Wendel. Gallery Lecture. “Manifest” Blue Star Contemporary Art, San Antonio, TX. Apr 13, 2018
• White, Wendel. Artist Lecture, “Manifest and Red Summer” Center for Documentary Studies, Duke University, Durham, NC. Feb 2018
• White, Wendel. Artist Lecture, Anne Reeves Artist-in-Residence Lecture, Paul Robeson Center for the Arts, Princeton, NJ. Nov 9, 2017
• White, Wendel. Gallery Lecture, Mercer County Community College, Trenton, NJ. Apr 12, 2017
• White, Wendel. Artist Lecture, PhotoAlliance, San Francisco, CA. Apr 7, 2017
• White, Wendel. Artist Lecture, Princeton University, Princeton, NJ. Mar 6, 2017
• White, Wendel. Visiting Artist/Gallery Talk, Lycoming College, Williamsport, PA. March 3, 2017
• White, Wendel. Artist Lecture, University of Delaware, Wilmington DE. Feb 22, 2017
• White, Wendel. Artist Lecture, Review Santa Fe, Center. Santa Fe, NM Nov 5, 2016
• Rebecca Carroll, Deborah Willis Marta Gutman, Wendel White. Panel Discussion. “Mine, Yours, Ours: A Conversation on Segregation in America, Past and Present” Lipani Gallery, Fordham University, New York, NY. Sept 19, 2016
• White, Wendel. Lecture. “Manifest” California Institute for Integral Studies, San Francisco, CA Feb 5, 2016
• White, Wendel. Lecture. Al Gold Memorial Lecture Series, Stockton University, Galloway, NJ Nov 10, 2015
• White, Wendel. Lecture. Watchung Arts Council, Watchung, NJ Nov 15, 2015
• Wendel White, Panel Discussion, Leland Ware, Melva Ware. Panel Presentation. “Schools for the Colored” University Museums, University of Delaware, Newark, DE Apr 16, 2015
• Sharon Louden, Kenneth Leap, Julie Langsam Wendel White, Cesar Viveros. Panel Presentation. “Living and Sustaining a Creative Life” Cumberland County Cultural and Heritage Commission and New Jersey State Council on the Arts, Cumberland County College, Vineland, NJ. Apr. 25, 2015
• White, Wendel. Artist Lecture. “Manifest” New Jersey State Museum, Trenton, NJ May 8, 2015
• Kelly Baum, Rafi Segal, Robert Hillier, Wendel White. Panel Presentation. “Learning from New Jersey Urbanism” (Panel as part of the symposium “The State Between”), Princeton-Mellon Initiative in Architecture, Urbanism, and the Humanities, Princeton School of Architecture, Princeton University, Princeton, NJ. May 1, 2015
• Annie Hogan, Josh Brilliant, Aubrey Kauffman, Wendel White. Panel Presentation, Landscape: Social, Political, Traditional, Rider University, Lawrenceville, NJ Oct 2, 2014
• Honored Educator Lecture, Society for Photographic Education, Mid-Atlantic Regional Conf., Oct. 19, 2013
• Lecture / Panelist, Panel Presentation, Aljira Center of Contemporary Art, Newark, NJ Sept 7, 2013
• Lecture, Young Audiences Teacher Workshops, Grounds for Sculpture, Hamilton Twp, NJ 2012
• Visiting Artist, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ April 2012
• Artist Conversation Alan Cohen and Wendel White, moderated by Christine Carr, The Photograph and the Power of Place, Taubman Museum, Roanoke, VA. Feb 11, 2012
• Lecture, “Schools for the Colored: The Landscape and Architecture of Segregation” The Princeton Prize Symposium on Race, Princeton University, NJ May 6, 2011
• Artist Conversation: Wendel White and Leigh Raiford. Museum of the African Diaspora, San Francisco, CA, Jan 21, 2011
• Artist Gallery Presentation. En Foco New Works #13 Exhibition. HP Gallery, Calumet Photographic, New York, NY July 2010
• Wendel A. White. “Schools for the Colored” Society for Photographic Education. Philadelphia, PA. March 7, 2010
• Wendel A. White. “6th Annual John Rock Lecture in Black History” Salem County Historical Society, Salem, NJ. Oct. 2009
• Lecture, Recent Works, Jersey City Afro-American Historical Museum, 2007
• Lecture, Recent Works, Hopkins House Gallery, NJ. 2007
• Panel Presentation, Small Towns Black Lives, Mid Atlantic Center for the Arts, NJ 2007
• Lecture, Small Towns, Black Lives, Schools for the Colored and Pictures from the New World. College of Saint Elizabeth, Convent Station, NJ. February 2006.
• Lecture, Seton Hall University, S. Orange, NJ September 15, 2005
• Lecture/Discussion Working as an Artist and with a Job, Noyes Museum of Art, Oceanville, NJ September 14, 2005
• Presentation, The African American Experience in Photography. Discussion with Deborah Willis. Pennsylvania Black History Conference, Philadelphia, PA. April 24, 2005
• Lecture, Distinguished Visitor Program. Haverford College, Haverford, PA. March 2, 2005
• Panel Moderator, Screenings: Public and Private. The Noyes Museum of Art, Oceanville, NJ. March 6, 2004
• Presentation, Schools for the Colored. Southern Region, Dept. of Education, New Jersey. May 11, 2004
• Lecture, Schools for the Colored, Parsons, New School University, New York. March 1, 2004
• Panel Presentation, Small Towns Black Lives. Morris Museum, Morristown, New Jersey. Oct 19, 2003.
• Imagemaker Presentation, Small Towns, Black Lives. Society for Photographic Education, national conference, Austin, TX. March 2003
• Lecture Presentation, Small Towns Black Lives. Noyes Museum of Art. Feb 6, 2003
• Panel Presentation. Small Towns, Black Lives. Artist Conversation Series. Amistad Foundation, Wadsworth Athenaeum, Hartford, CT. October 2002
• Lecture/presentation, Small Towns, Black Lives. PhotoSession 2001, The Print Center, Philadelphia PA, 2001
• Panelist, “The Problematics of Teaching Photography in a Digital Context” with Blaise Tobia and Jeannie Pearce, Society for Photographic Education, regional conference, Baltimore MD, 2001
• Lecture Presentation, Small Towns, Black Lives. Cape May County Library, NJ 2001
• Lecture Presentation, Small Towns, Black Lives. Manchester Craftsman Guild, Pittsburgh, PA 2001
• Lecture Presentation, Small Towns, Black Lives. Lawnside Historical Society and Camden County Cultural and Heritage Commission, Lawnside NJ, 2001
• Panelist, Technology in Photography, James A Porter Colloquium on African American Art, Smithsonian Anacostia Museum and Center for African American History and Culture and Howard University, April 2000
• Panelist, “Education and Technology” College Arts Association, National Conference, 1995
• Panelist, “Photography New Forms” College Arts Association National Conference, New York, 1990
• Panelist, Autobiographical Issues and Concerns: The Contemporary Black Photographer Society of Photographic Educators National Conference, 1988

Arts and Culture Public Service

• The Print Center, Board of Governors, Philadelphia, PA. 2023 to present
• Atlantic City Library Foundation, Board Member, Atlantic City, NJ. 2022 to present
• State of the Arts NJ, Advisory Board, 2011 to present
• New Jersey Martin Luther King Jr. Commemorative Commission, Commissioner, 2014 to 2018
• New Jersey Council for the Humanities, board chair. Trenton, NJ 2010 to 2013
• New Jersey Council for the Humanities. board of trustees, Trenton, NJ. 2000 to 2006, 2007 to 2013
• New Jersey Black Culture and Heritage Foundation. Board Director. 2007 to 2009
• Society for Photographic Education. Board Chair 1996 to 1999
• Society for Photographic Education. Board Director. 1993 to 1999
• Society for Photographic Education. National Conference Chair. Atlanta, 1995
• Kodak Educational Advisory Council, 1991 to 1994
• Co-Chair, Society for Photographic Education, Multicultural Caucus, 1992 to 1993
• Atlantic City Historical Museum, Board of Directors. 1989 to 2013

 Publications

• White, Wendel. Manifest: Thirteen Colonies  essays by Ilisa Barbash, Cheryl Finley, Leigh Raiford, Brenda Dione Tindal, and Deborah Willis. Peabody Museum Press, Harvard University and Radius Books, Cambridge, MA and Santa Fe, NM. 298p 2024
• Julie L. McGee. Wendel White: Black Lives Resistance and Agency in America exhibition catalog, Swarthmore College, Swarthmore, PA. 48p March 2024
• Claude Baillargeon and Kenya Tyson, Wendel A. White: Remains • Remnants • Reliquaries, exhibition catalog, Oakland University Art Gallery, Rochester, MI. 60p Sept 2023.
• White, Wendel. Mentor Issue: Wendel White, Nueva Luz Photographic Journal (with essays by Dawoud Bey and Victor Davson), vol 26:2. Bronx, NY. Winter 2022
• White, Wendel A., Schools for the Colored. Push Pull Editions, Corvallis, OR. 112p 2022
• White, Wendel. “Manifest” Southern Cultures Vol 23, No. 3: Things. (Fall 2017): 14-29 Center for the Study of the American South, UNC Press.
• White, Wendel A. “Objects of Power” Smithsonian Magazine Vol 47, No. 5 (September 2016): 3, 50-67
• Zora Murff, Aaron Turner, Hannah Price, Sonsoree Gibson, Edward Cushenberry, Emma Uwejoma, Wendel White. “Photographers of Color” Strange Fire Collective. http://www.strangefirecollective.com/photographers-of-color Sept 1, 2016
• White, Wendel A. “Schools for the Colored: Places, Words, Pictures” Buildings & Landscapes Vol. 22.1 (2015): 63-89
• White, Wendel. Manifest. Ed. Carla Williams. 1st ed. San Francisco: Chroma, California Institute of Integral Studies, 2014.
• White, Wendel A. Small Towns, Black Lives: African American Communities in Southern New Jersey. Oceanville, NJ. Noyes Museum of Art, 2003
• Wendel A. White “Story of daily lives” Philadelphia Inquirer. February 23, 2003
• Wendel A. White “Enter the City: Photographs by Louis Draper” Exhibition catalog, Richard Stockton College, 1989
• International Center of Photography, Encyclopedia of Photography, Crown Pub., 1984, contributing editor, (William Broecker, chief editor et. al.)

Reviewer/Evaluator/Juror (selected)

• Reviewer. Mid-Atlantic Arts Foundation. Delaware Artist Fellowship. Aug 2019
• Reviewer. Mid-Atlantic Arts Foundation. New Jersey and Maryland Artist Fellowships. Nov 2017
• Panelist Reviewer, Artist in Residency Program, Bemis Center for Contemporary Art, Omaha, NE. April 19, 2013
• External Reviewer, Department of Art and Art History, Providence College, Providence, RI. April 2013
• External Reviewer, Department of Art, Keene College, Keene, VT. 2005
• Reviewer, Artist Fellowships, Greater Columbus Arts Council, Columbus, OH 2000

Selected Bibliography

• Rosenberg, Amy. Two fall shows use sculpture and photographs to fold past into present. Philadelphia Inquirer. Sept 14, 2024.
• Sutter, Faith. Manifesting Black history in 3D. The Harvard Gazette. Sept 20, 2024 https://news.harvard.edu/gazette/story/2024/09/manifesting-black-history-in-3d/
• Kaninski, Martin. Interview, Secrets to Capturing History Through Photography. About Photography Blog, Jul 15, 2024 https://aboutphotography.blog/blog/manifest-thirteen-colonies-by-wendel-a-white
• Feeney, Mark. “The Photograph as Reliquary: Wendel A. White’s ‘Manifest’ shows the past emerging into a shared present” Boston Globe. G4, May 31, 2024
• Smithson, Aline. “Wendel A. White: Manifest: Thirteen Colonies” Lenscratch blog May 31, 2024. https://lenscratch.com/2024/05/wendel-a-white-manifest-thirteen-colonies/
• Colin Bossen and Howard Bossen, Red Summer: Representation and Racial Violence, Katalog – Journal of Photography and Video, Denmark, 2023, vol 34.2, pg 88-96
• Robert Hirsch and Edward Bateman. Light and Lens. 4th ed. Routledge, Focal Press, New York & London. 2022 pg 352 (Red Summer)
• Cheryl Finley and Deborah Willis. Free as they want to be: Artists Committed to Memory Published by Damiani. 2022 pg 116-131 (images from Manifest)
• Regensburger, Jeff. “Art Review: I Hear America Singing – Contemporary Photography from America” Columbus Underground Sept 24, 2022. https://columbusunderground.com/art-review-i-hear-america-singing-contemporary-photography-from-america-jr1/
• Phillips, Sandra S., Sally Martin Katz, American Geography: Photographs of Land Use from 1840 to the Present. Radius Books pp 78-80, 154-155, 309 330. Santa Fe, NM. 2021
• Willis, Deborah. The Black Civil War Soldier: A Visual History of Conflict and Citizenship. New York University Press. pp. 205. New York, NY 2021
• White, Wendel. “Manifest” six images. Harper’s Magazine, Vol 342, No 2053 pp. 81. June 2021.
• Smithson, Aline. “Raymond Thompson Jr. and Wendel White in Conversation” Lenscratch Fine Art Photography Daily. Feb 23, 2021
• Lerman, Macauley. “Wendel White: Storytellers” Lenscratch Fine Art Photography Daily. Jan 18, 2021
• Smithson, Aline. “Wendel A. White: History-Based Landscapes” Lenscratch Fine Art Photography Daily Jun 10, 2020. http://lenscratch.com/2020/06/wendel-a-white-history-based-landscapes/
• White, Wendel. “Mirrored Casket (Ferguson, MO), Smithsonian National Museum of African American History and Culture, Washington, DC” cover photograph, American Ethnologist Vol 47 Num 2, May 2020
• McCarty, Lisa. 2020. Photography and Culture. “Creating Change from within: Building and Discovering a Diverse Archive of Documentary Arts” Taylor and Francis
• Levak, Julie. Winter 2019/Spring 2020. Mission at Tenth, Volume 8: The Best of Mission at Tenth. “Schools for the Colored” California Institute for Integral Studies, San Francisco, CA. pg. 82-86
• Brooks, Kalia and Willis, Deborah. Fall 2019, exhibition catalog. “Closets: Reimagining Identities while Embracing Memories” NYU Tisch School of the Arts, Institute of Emerging Media Photography and Imaging, New York University, New York. pg 8, 36
• Meng, Sara. September 2018 Issue. “Wendel White: Connecting History and the Present” Photoworld China, pg 40-47
• Rinaldi, Mark. April 27, 2018. “Colorado Photographic Arts Center Explores the Complicated History of Segregation with Two-Artist Exhibition” The Denver Post
• Smithson, Aline. April 20, 2018. “Segregated Influences: Wendel White & Tya Alisa Anthony at The Colorado Photographic Arts Center” Lenscratch http://lenscratch.com/2018/04/107927/
• Stacke, Sarah. April 19, 2018. ” Two Artists Explore History of Race in America” PDN Online
• Acosta, Christina. Feb 11, 2018. “BSC Unveils’Manifest’ Exhibit” La Prensa, San Antonio, TX.
• Duane Yuting, chief editor. Your Selfie Stick (and You): Lianzhoufoto 2017. “Schools for the Colored” Lianzhoufoto, Lianzhou, China. 2017 pg 64-67.
• Dube, Ilene. Nov 23, 2017. “Projected Images Illuminate the History of Paul Robeson’s Hometown” HyperAllergic https://hyperallergic.com/412799/projected-images-illuminate-the-history-of-paul-robesons-hometown/
• Stoeckert, Anthony. Oct 19, 2017 “Historic Sites: Wendel White’s photographs of black schools are on view at the Paul Robeson Center for the Arts. centraljersey.com http://www.centraljersey.com/time_off/historic-sites-wendel-white-s-photographs-of-black-schools-are/article_1ee864d2-b44c-11e7-9d9a-cf70d974d66b.html
• Russ, Madison. Feb 19, 2017. “Wendel White’s ‘Manifest’ brings the past to the forefront in on-going photography project” The Press of Atlantic City
• Hill, Zahara. Feb 27, 2017 “This Chilling Photo Collection Captures Fascinating Black History Artifacts” Huffington Post, Black Voices
• Graham, Regina F. Jan 29, 2017 “Artist photographs historical objects including a slave bill of sale, shackles and a lock of Frederick Douglass’ hair to tell a story of oppression faced by African-Americans” Daily Mail UK
• Malloy, Judy ed. Social Media Archeology and Poetics. MIT Press, Cambridge, MA. 2016 p. 342-343
• Abatemarco, Michael. Oct 28, 2016 “More than meets the eye: The Review Santa Fe Photo Festival” Santa Fe New Mexican
• Meyers, William. Sept. 2, 2016 “Three Photography Shows for Labor Day Weekend” Wall Street Journal (Online)
• Durant, Mark Alice. May 18, 2016 “Wendel White: Schools for the Colored” Saint Lucy:The Sevens Blog http://saint-lucy.com/the-sevens/wendel-white/
• McAfee, Melonyce. Jan 14, 2016. “Historical objects tell African American story” CNN Photo Blog http://www.cnn.com/2016/01/14/living/cnnphotos-manifest-african-american-historical-objects/
• Feinstein, Jon. Oct 2, 2015. “Wendel White’s Still Life Artifacts From Slavery, Segregation and Emancipation” Humble Arts Foundation Blog http://hafny.org/blog/2015/10/wendel-white-manifest
• Dude, Ilene, “Photographer Wendel A. White Finds Beauty in a Haunted Past” U S 1 Newspaper, May 6, 2015, Preview of the Arts Section.
• Albright, Matthew, “Exhibition examines history of segregation in schools” Sunday News Journal (Delaware), Apr 19, 2015, Education Section, Page 9A.
• Miller, Michael. ‘Wendel White’s Photo Project “Manifest” Tracks Artifacts from Slavery, Abolition, Segregation Eras’. Press of Atlantic City 6 Feb. 2015: C1, C4 Print.
• Wendel White “Interview” State of the Arts. PCK Media. Trenton, NJ 15 Mar. 2015. Television.
• White, Wendel. “Schools for the Colored” portfolio. Afterimage; The Journal of Media Arts and Cultural Criticism Vol 40, no1. [inside cover front and rear], July/August 2012. Rochester, NY
• Tucker, Anne W. “Intercambio: New Works #13” Nueva Luz. (vol.14:3) Summer 2010, pg 35-38
• Wendel A. White. “Wendel White: Historical Markings” exposure (vol 43:1). Spring 2010, pg 27-32
• Mary Louise Schumacher. “Art City” Journal Sentinel. Jan 30, 2010. Blog Post, Entertainment Blogs
• Mazzeo, Michael Paris. RSVP: Arbor. New York. Michael Mazzeo Gallery, pp24
• Willis, Deborah.Posing Beauty: African American Images from the 1890s to the Present. New York. W.W. Norton & Co., 2009. pp XXIV and 48.
• Keyser, Lynn. “Interview: Wendel A. White” The Photo Review, Volume 28, Number 3. pg 10-13. Langhorne PA. March 2009.
• Robert Faires. “Creative Research Laboratory: Prospective Revisions” The Austin Chronicle November 21, 2008.
• Hinks, Peter P. John R. McKivigan, R. Owen Williams. Encyclopedia of Antislavery and Abolition: Greenwood Milestones in African American History. Pg 28. Greenwood Publishing Group. 2007
• Raboteau, Emily. “Searching for Zion” Transition. Vol.#97. New York, NY; Soft Skull Press (an official publication of the W. E. B. Du Bois Institute for African and African American Research at Harvard University), 2007. Pg 52-89 (photographs by Wendel A. White)
• White, Wendel Interview, “Click: George Tice, Wendel A. White, Ken Ross, and Edward Weston. NJN “State of the Arts”. March 30, 2007.
• Dennis Trinkle. The History Highway: A 21st Century Guide to Internet Resources. Pg 509.M.E. Sharpe Publisher, 2006
• Watson, Rob. Pictures from a New World: An African American Village in Israel. Philadelphia Inquirer. Pg W2. September 15, 2006
• White, Wendel A. Interview. Visions, ABC Channel 6 Philadelphia. Saturday, September 23, 2006
• Clapp, Kevin. “Return to Israel” Press of Atlantic City. “Pictures from a New World” pg D1-D2. Sept. 24, 2006
• Price, Clement. “Echoes of the Past” New Jersey Monthly. Feb 2006
• Crisman, Alexis. “Where We Live” New Jersey Monthly. May 2005, page 78
• Darrow, Chuck. “Focus on Life: A photography exhibit captures everyday happenings in South Jersey’s all-black communities” Courier-Post. March 15, 2005
• Giordano, Rita. “Exploring Town’s Minority Heritage.” Philadelphia Inquirer, January 24, 2005
• Williams, Donna Vance. “Photo Exhibit Showcases Historic Black Towns.”Philadelphia Daily News.
  January 18, 2005
• Willis Deborah. Family, History, Memory: Recording African American Life. Hylas Publishing, Irvington, NY 2005
• Alkalimat, Abdul. Gerald A. McWorter. The African American Experience in Cyberspace: A Resource Guide to the Best Websites on Black Culture and History. Pluto Publishing, 2004
• Wills, Deborah. Black: A Celebration of Culture. St. Martin’s Press, New York. December 2003
• Crager, Jack. ”Journey in Black and White”. American Photo On Campus, New York. November 2003. P 32-33.
• Irizarry, Lisa. “A haven of their own: Photo exhibit chronicles South Jersey’s African-American communities” Newark Star-Ledger. March 21, 2003.
• Brummer, Amy. “Ordinary Lives” Princeton Packet. May 21, 2003
• White, April. “Small Towns, Black Lives at the Noyes Museum of Art” Philadelphia Magazine. April 2003.
• DeWolf, Rose. “Exhibit Showcases NJ’s Black Towns” Philadelphia Daily News. February 21. 2003
• Alcamo, John. “Small Towns…Black Lives: An artist’s journal of travel and discovery” New Jersey Lifestyle. Winter 2003
• White, Wendel. Interview. CN8 News. February 21, 2003
• White, Wendel. Interview. “State of the Arts”. WNJN Feb 2, 2003.
• White, Wendel. Interview. “Spotlight: Delaware Valley” WWAC Jan 31, 2003
• White, Wendel. Interview. Another View, “Jim Crow Then and Now” Series on the effects and legacy of Jim Crow in America. WNJN Jan 26, 2003
• Mirapaul, Matt. “Photographer Captures Towns Where Blacks Found Peace.” New York Times, Arts Online – Jan 20, 2003
• Cronin, Steve. “Photo Exhibit Tells Story of African American Towns”. Atlantic City Press. Jan 12, 2003
• Crisman, Alexis. “Small Towns, Black Lives” New Jersey Monthly Magazine. January 2003.
• Baxter, Robert. “A Picture of Black Lives in South Jersey Communities” The Courier-Post. Jan 19, 2003
• Sozanski, Edward. “Photos uncover hidden black history in S. Jersey” Philadelphia Inquirer, Jan 19, 2003
• Ridenhour, Christopher. “Philly Live” Interview WYBE Philadelphia. Jan 2, 2003.
• Bischoff, Dan. “Small Towns Project” ArtNotes, The Star-Ledger. Newark, NJ. December 18, 2003. p.33
• Cronin, Steve. “Unfamiliar Landscapes / Using A Camera And Computer, Wendel White Crosses Artistic Boundaries” Press of Atlantic City. February 23, 2002.
• Higginbotham, Evelyn Brooks. Leon F. Litwack, Darlene Clark Hine. The Harvard Guide to African-American History. Pg 41. Harvard University Press, 2001
• Snodergren, Rebecca, “Camera captures texture of small-town black life” Pittsburgh Post-Gazette, March 21, 2001
• Sullivan, Eileen, “An Artist’s View” The Courier-Post, NJ. February 20, 2001
• McCoy, Bett, “Area Artist captures charm of everyday life in exhibit,” Atlantic City Press, February 8, 2001
• Willis, Deborah. Reflections in Black: A History of Black Photographers 1840 to present. WW Norton and Company. June 2000
• White, Wendel, Interview, New Jersey Network News, NJN, February 22, 2000
• White, Wendel, Interview, TV40 News, NBC TV40, Linwood, NJ, November 12, 1999
• Downs, Jere, “The Presence of the Past”, The Philadelphia Inquirer, Inquirer Magazine, February 16, 1997
• Ben-Ali, Russell, “Jersey’s Underground Black history”, The Star-Ledger, February 6, 1997
• McGuire, Nancy, “Southern New Jersey Artist’s IX”, Exhibition Catalogue, 1994
• Toner, Noreen, “Snapped Shots”, Atlantic City Press, November 1994
• Wilson, William, “UCI Offers Personal Views of the Black Experience,” Los Angeles Times, 1992
• Curtis, Cathy, “An Octet of Young Black Artists Exhibits Some Compelling Works at UCI” Los Angeles Times, January 23, 1992 (Orange County Edition)
• Smith, Virginia Warren, “Political photography with an autobiographical twist,” Atlanta Journal-Constitution, April 2, 1992
• Dyer, Susan, “Documenting the Evidence: Afro‑American Photography,” Women’s Art Magazine, October 1991
• Wise, Kelly, “Aesthetic intellect and pulsing emotion blend in ‘Convergence’” The Boston Globe, Jan. 25, 1991
• Silver, Joanne, “Exhibit an Exploration of African‑American Journeys,” Boston Herald, Dec. 28, 1990
• Nemser, Rebecca, “A Case of identity ‑ Being and belonging in Convergence”, The Boston Phoenix, January 18, 1991
• Foritano, Jim, “Eight visions converge at PRC exhibit,” The Fennway News, Jan. 1991
• Fitzgerald, Brian, “Convergence’ exhibit deals in personal, social issues of African‑Americans,” Boston University Today, Jan. 1991
• Hillyer, Linda, “Convergence: 8 Photographers,” Art New England, March 1991
• Willis, Deborah, Convergence: 8 Photographer, Exhibition catalog, Photographic Resource Center at Boston University, 1990
• Zimmer, William, “State Poses for its Portrait in a Pleasurable Show,” The New York Times, Section 12, pg. 18, January 14, 1990
• Stainback, Charles and Michael Bzdak, Stated as Fact: Photographic Documents of New Jersey, New Jersey State Museum, exhibition catalog, 1990
• Tony, Heidi Heath, Atlantic City Magazine, pg 39, Jan. 90
• Allen, Deborah, New Expressions, exhibition catalog, Noyes Museum, 1989
• Black Photographers: A Bio‑Bibliography 1940 to 1988, Edited by Deborah Willis,
  Garland Publications, 1989
• “Forgotten Photo Exhibit,” The Sun, pg 5, vol. 10 #70, November 3, 1988
• Bzdak, Michael, “An Objective Approach,” New Jersey Sites: Photographs by Wendel White, (Exhibition Catalogue), Johnson and Johnson, 1987
• Word, Edited by Dawoud Bey, Expendi Press, pp. 3, 1987
• Einreinhofer, Nancy, “An Exhibition: Art Faculty of the New Jersey State Colleges,” (exhibition catalog), Ben Shahn Galleries, Paterson College, NJ
• “An American Landscape”, winter 1985 No. XI, Bomb Magazine, pp. 71‑73
• Antoinin H., The Fifth Annual Atlanta Life Nat. Art Competition, pp. 15 1985
• Antoinin H., The Fourth Annual Atlanta Life Nat. Art Competition, pp. 16 1984
• Fox C., “Atlanta Life Show Offers Wide Range of Vital Work,” Atlanta Journal‑Constitution, January 15, 1984
• Willis D., 14 Photographers, The New York Public Library, Astor, Lenox, and Tilden Foundations
• Ola A., “Images from the Imagination,” Guardian (New York), December 7, 1983
• Bijur H., “Symbolic Visions in Pictures,” Westsider NY, December 22, 1983
• Hicks L., Two Photographic Viewpoints, Carver Museum, TX, pp. 8‑12 1983
• Bassin J., “Patrick Captures Fall’s Invigoration,” Austin American Statesman (Texas), 1982
• Beal G., “Dread Darkens UT Show,” Austin American Statesman, 1982

Related Activities

• “Wendel White – documenting the past in the present.” Disturbing the Piece Podcast Episode #25. Sept. 26, 2018
• “Red Summer: An Interview with Wendel White.” Wine, Women and Revolution Podcast. NJ Revolution Radio. Sept 24, 2018
• White, Wendel. Sept 10–16, 2016. Instagram Takeover, “Manifest” Smithsonian Magazine.
• White, Wendel. The PhotoShow Podcast Michael Chovan-Dalton and Kai McBride, August 4, 2016
• White, Wendel. Jun 11-Jun 17, 2016. Instagram Takeover. “Red Summer” Smithsonian Magazine https://www.instagram.com/p/BGglmKIIPP_/?taken-by=smithsonianmagazine
• Consultant, Photography lab Renovation and Redesign, Monmouth University, NJ 2000
• Co-Curated and fabricated – “Charles K. Doble’s Atlantic City Photographs 1930 – 1953” and “Images of African Americans in Atlantic City: 1900 to 1965” as part of the opening exhibition “Playground of the Nation.”
• Reviewer, “Exploring Black and White Photography,” second edition, 1993, Review, and recommendations for the publisher, Wm. C Brown Publishers 1990
• Guest Curator, “Survey of Photographic Expressions” School of Visual Arts, 1984